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Get Ready for Harriet Doerr and Lesson 16 of Write it! How to Get Started

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Get Ready for Harriet Doerr and Lesson 16 of Write it! How to Get Started

Stones for Ibarra by Harriet Doerr in parts: on setting and grief

<Mary L. Tabor>
Jan 5, 2023
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Get Ready for Harriet Doerr and Lesson 16 of Write it! How to Get Started

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Harriet Doer via Stanford Magazine Harriet Doerr stopped her college education to marry and raise children.

Harriet Doerr stopped her college education to marry and raise children. Three years after her husband’s death from leukemia, she went back to school, finished her bachelor’s degree at age 67 and began studying writing in the Stegner Creative Writing Program at Stanford at the invitation of Wallace Stegner himself. Her short stories became the novel Stones for Ibarra that won the National Book Award in 1983 when she was 73.

Stones for Ibarra Mary’s copy

A personal note on grief: Although the book we’ll study together is largely about Ibarra, it strikes a grief chord. I was moved to tell you this by Terry Freedman’s post on Bravery

Eclecticism: Reflections on literature and life
Bravery
My father died on the 26th of December, 1976. An incident “This should do it.” My father was responding to my mother’s growing exasperation with the two-year old me constantly getting under her feet in the kitchen. Dad was a handyman of sorts. There were drawers full of watch parts from watches he’d taken apart but not quite reassembled. If you say …
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9 months ago · 13 likes · 12 comments · 𝚃𝚎𝚛𝚛𝚢 𝙵𝚛𝚎𝚎𝚍𝚖𝚊𝚗

When my son died in 2017 at age 47, I was writing the last pages of a novel—and then was struck dumb. I’ve told only one stranger about this: Sherman Alexie

Sherman Alexie
What We Lost in the Fire
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9 months ago · 46 likes · 52 comments · Sherman Alexie

when he wrote the poem I have linked you to. I wrote in comments a first note about “fire,” as you will understand if you listen to me at the link below. Here’s the first note: “You take me back to Prometheus: the terror and the gift. I rely on heroes in _Who by Fire: a novel_: Folks who've done incredible things to save others from fire. Have my own obsession with fire. We need it and know that tragic losses come with it. From my heart to yours for your sister, Sherman. No way to heal from that loss. xo ~Mary” and he replied.

In my second note to Sherman, I got more courage and here's what I wrote: “Heart to heart. I rarely share this, Sherman. Maybe you're the one person who could handle it—just so you know, not many can: https://www.maryltabor.com/2019/07/benjamin-hammerschlag-in-my-heart.html”

Sherman has thanked me for the link to him, but on the second note, silence.

Silence surrounds my son’s death—and not as I describe in the link above.

Watercolor of my son on A2 paper soon after his death when I was at his home in Australia

With the new year, six years after my son’s death, I may be able to finish that novel in which he appears fictionally and ever so briefly. And I may be able to write a story about him: I dreamed last night how it might begin. Perhaps you and I together with some help from the study of Harriet Doerr will find our way to start again, however late.

Go to Amazon where you may buy Stones for Ibarra used (right column) for about $4 or go to your public library. You’ll have plenty of time to read because next Thursday I’m thrilled to offer a guest post by Terry Friedman.

Here are questions for you to consider while reading this novel:

  • Consider the fact that short stories form this novel, that in some sense each chapter comes to a resolution, somewhat self-contained as a separate story.

  • What holds the stories together to justify that the book is a novel? Or do you think the novel doesn’t succeed fully as a result of that choice?

  • Doerr tells us on page one in the first paragraph that Richard Everton “will die thirty years sooner than he now imagines.” Why do you think Doerr made that choice and what is the effect of tipping her hand at the start about this plot element?

  • Ask yourself these questions that Auden posed for reading a poem: (1) Here’s a verbal contraption. How does it work? (2) What kind of guy inhabits this novel? (3) Is there a main character and what has the writer done to make sure you conclude that?

There are no “right” answers to these questions. The novel has been widely praised, but as we saw with The Blue Flower,

<Mary’s Newsletter "Only connect ...">
Q'S for THE BLUE FLOWER by PENELOPE FITZGERALD
The Blue Flower by Penelope Fitzgerald This novel received the 1997 National Book Critics Circle Award for Fiction and The Booker Prize when Fitzgerald was eighty years old. She published her first novel when she was sixty. Although this novel is brief, it is not a quick read. So get it…
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a year ago · 4 likes · 6 comments · <Mary L. Tabor>

such praise does not always justify the reader’s view. And clearly, to appreciate this novel, one must give credit to the choices Doerr made and that I will attempt to address—with your help—in the questions I’ve asked above.

As writers and readers, we’ll learn something by taking the time to understand what this writer has done, whether or not we agree that she has fully succeeded.

Writing experiments will be included in the paid ($5 for a month) lessons in parts that will follow Terry’s guest post. I post on Thursdays.

Last week I read another book that I highly recommend and that I hope to talk about in one of the parts of this lesson: Levels of Life by Julian Barnes: Early in this novel, Barnes says, “Every love story is a potential grief story.”

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Love,

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Get Ready for Harriet Doerr and Lesson 16 of Write it! How to Get Started

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Get Ready for Harriet Doerr and Lesson 16 of Write it! How to Get Started

marytabor.substack.com
Mike Goodenow Weber
Writes Stories for a New Florence
Feb 4Liked by <Mary L. Tabor>

Deeply moving, Mary.

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Rebecca Holden
Writes Dear Reader, I'm lost
Jan 6Liked by <Mary L. Tabor>

Such a beautiful post, Mary. I'd come across your blog post about Ben when we were first getting to know each other on Substack - thank you for the opportunity to read it again.

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